cee

Tideborn by Eliza Chan

$18.63

Recommended by cee

Tideborn by Eliza Chan

Comments

Loading comments...

More like this

Perimeter Books on Instagram: "A small handful back in stock after the stacks of preorders were fulfilled — won’t last! Love & Lightning: A Collection of Queer and Feminist Manifestos (Valiz, Amsterdam). /// Link to store in bio. /// Love & Lightning: A Collection of Queer and Feminist Manifestos is a thematically ordered, inconclusive collection of queer, feminist and queer-feminist manifestos.

Girls Like Us Magazine and author Sarah van Binsbergen have composed a publication showcasing the different forms a manifesto might have, from classical, activist formats to more poetic, associative texts. The manifestos highlighted in this book cross borders, forms and disciplines, refuse binary logics, transcend our concepts of time and space and surpass the neoliberal logic.

Love & Lightning does not claim to be a complete anthology, but it rather aims to show the myriad of ways manifestos can be composed, and what their legacy until this day is. It presents manifestos from 1851 until now, divided into eleven chapters, introduced in their socio-historical and geographical contexts, with many from Asia, Africa, Latin-America. Not only does this publication give new insight in the style of the manifesto, it aims to emancipate the reader to propose their own revolution, whether big or small. #perimeterbooks @valiz_books_projects"

Perimeter Books on Instagram: "A small handful back in stock after the stacks of preorders were fulfilled — won’t last! Love & Lightning: A Collection of Queer and Feminist Manifestos (Valiz, Amsterdam). /// Link to store in bio. /// Love & Lightning: A Collection of Queer and Feminist Manifestos is a thematically ordered, inconclusive collection of queer, feminist and queer-feminist manifestos. Girls Like Us Magazine and author Sarah van Binsbergen have composed a publication showcasing the different forms a manifesto might have, from classical, activist formats to more poetic, associative texts. The manifestos highlighted in this book cross borders, forms and disciplines, refuse binary logics, transcend our concepts of time and space and surpass the neoliberal logic. Love & Lightning does not claim to be a complete anthology, but it rather aims to show the myriad of ways manifestos can be composed, and what their legacy until this day is. It presents manifestos from 1851 until now, divided into eleven chapters, introduced in their socio-historical and geographical contexts, with many from Asia, Africa, Latin-America. Not only does this publication give new insight in the style of the manifesto, it aims to emancipate the reader to propose their own revolution, whether big or small. #perimeterbooks @valiz_books_projects"

PM Press on Instagram: "Abortion is care. Abortion is power. Abortion is joy.

Don’t Breed on Me: A Short History of Abortion by Madeline Waugh Quasebarth is a defiant, funny, and unflinching dive into the millennia-long story of abortion—a practice as old as humanity and as contested as ever. From medieval Europe to Ming Dynasty China, from women enslaved in the American South to German nuns smuggling herbs, abortion has always been here. And so have the people who provided it.

Rooted in global history, folklore, and fierce scholarship, Quasebarth’s book is as joyful as it is furious. She opens with a bang and doesn’t let up, threading together ancient remedies (like crocodile dung pessaries), feminist saints, lost abortifacients, and the enduring power of reproductive autonomy. Want to meet a medieval Italian surgeon who secretly performed abortions in a city that banned women from medicine? Or a Qing Dynasty widow who casually asks her lover for “red flower medicine” after a scandalous affair? Or a granny midwife dedicated to ensuring reproductive control for herself and her community? They’re here, and so are dozens of stories like them—buried, distorted, or erased by colonialism and patriarchy.

Don’t Breed on Me is not just a book about abortion—it’s a call to remember, reclaim, and reframe. For students, activists, and anyone with a uterus (or who knows someone with one), this book is both an accessible introduction and a vital tool in the fight for reproductive justice.

Back the Kickstarter at the link in our bio."

PM Press on Instagram: "Abortion is care. Abortion is power. Abortion is joy. Don’t Breed on Me: A Short History of Abortion by Madeline Waugh Quasebarth is a defiant, funny, and unflinching dive into the millennia-long story of abortion—a practice as old as humanity and as contested as ever. From medieval Europe to Ming Dynasty China, from women enslaved in the American South to German nuns smuggling herbs, abortion has always been here. And so have the people who provided it. Rooted in global history, folklore, and fierce scholarship, Quasebarth’s book is as joyful as it is furious. She opens with a bang and doesn’t let up, threading together ancient remedies (like crocodile dung pessaries), feminist saints, lost abortifacients, and the enduring power of reproductive autonomy. Want to meet a medieval Italian surgeon who secretly performed abortions in a city that banned women from medicine? Or a Qing Dynasty widow who casually asks her lover for “red flower medicine” after a scandalous affair? Or a granny midwife dedicated to ensuring reproductive control for herself and her community? They’re here, and so are dozens of stories like them—buried, distorted, or erased by colonialism and patriarchy. Don’t Breed on Me is not just a book about abortion—it’s a call to remember, reclaim, and reframe. For students, activists, and anyone with a uterus (or who knows someone with one), this book is both an accessible introduction and a vital tool in the fight for reproductive justice. Back the Kickstarter at the link in our bio."

Crazyhead

Crazyhead

Maria Z. Medina on Instagram: "✨COVER REVEAL!✨ Introducing the cover of MAKER OF GODS, the second book of the MISTRESS OF BONES duology, on sale December 8th from @wednesdaybooks !

Isn't she absolutely gorgeous?? Thank you so much to my cover designer @kerriresnick and especially @afterblossom_art for the stunning art! You really brought my characters (and all the book-related little details!) to life ❤️

Red is very important in MAKER OF GODS, and it just happens to match perfectly with the first book. I am so proud with how this book turned out, and this cover is just the cherry on top. l can't wait to hold them together!!

In the swashbuckling finale to the Mistress of Bones duology perfect for fans of The Bone Shard Daughter and Six of Crows, a necromancer and the God of Death must outwit the Gods themselves—or end the world trying.

Necromancer Azul del Arroyo only wanted one thing: to steal her sister back from Death by reclaiming her sister's bones. But after inadvertently uncovering a plot to reawaken the gods and suffering a great loss, she feels further from her goal than ever.

In exchange for a chance to save her sister, Azul's only choice is to work together with Death, now in Enjul's body, to uncover an underground group set on finding the rest of the gods in the blood-red city of Bremón. And with his mysterious motivations, silver tongue, and magnetic interest in Azul, Death does not make it easy.

Determined to get revenge on the Faceless Witch, Nereida, the Count, and Esparza also find their way to Bremón to join Azul, only to discover that Death is not the only god who has already awakened...and the rest of the gods are not as merciful.

Lies, games, and gods collide in Maria Z. Medina's masterful follow-up to Mistress of Bones, where the only thing stronger than the divine is human will.

#yafantasybooks #fantasybooks #bookstagram #coverreveal"

Maria Z. Medina on Instagram: "✨COVER REVEAL!✨ Introducing the cover of MAKER OF GODS, the second book of the MISTRESS OF BONES duology, on sale December 8th from @wednesdaybooks ! Isn't she absolutely gorgeous?? Thank you so much to my cover designer @kerriresnick and especially @afterblossom_art for the stunning art! You really brought my characters (and all the book-related little details!) to life ❤️ Red is very important in MAKER OF GODS, and it just happens to match perfectly with the first book. I am so proud with how this book turned out, and this cover is just the cherry on top. l can't wait to hold them together!! In the swashbuckling finale to the Mistress of Bones duology perfect for fans of The Bone Shard Daughter and Six of Crows, a necromancer and the God of Death must outwit the Gods themselves—or end the world trying. Necromancer Azul del Arroyo only wanted one thing: to steal her sister back from Death by reclaiming her sister's bones. But after inadvertently uncovering a plot to reawaken the gods and suffering a great loss, she feels further from her goal than ever. In exchange for a chance to save her sister, Azul's only choice is to work together with Death, now in Enjul's body, to uncover an underground group set on finding the rest of the gods in the blood-red city of Bremón. And with his mysterious motivations, silver tongue, and magnetic interest in Azul, Death does not make it easy. Determined to get revenge on the Faceless Witch, Nereida, the Count, and Esparza also find their way to Bremón to join Azul, only to discover that Death is not the only god who has already awakened...and the rest of the gods are not as merciful. Lies, games, and gods collide in Maria Z. Medina's masterful follow-up to Mistress of Bones, where the only thing stronger than the divine is human will. #yafantasybooks #fantasybooks #bookstagram #coverreveal"

Follow cee

By submitting, you agree to our Terms and Privacy Policy

© 2026Privacy Terms